Down to the last two movies as I watch all of the Best Picture nominated films this week, today I saw Get Out. I purposefully avoid reading about the movies before I see them, so that I can watch without others’ opinions clouding my perspectives. I therefore knew nothing about Get Out. And now…I can’t stop thinking about it.
Get Out stars Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, Caleb Landry Jones, Marcus Henderson, Betty Gabriel, Lakeith Stanfield, Stephen Root and LilRey Howery. This psychological thriller, written and directed by Jordan Peele, is rated R for language and violence, and has a run time of 1 hour and 44 minutes.
Get Out is nominated for four Oscars including Best Picture, Best Director, Best Actor in a Leading Role (Kaluuya) and Best Original Screenplay.
Chris (Kaluuya) is headed out for the weekend with his girlfriend of five months, Rose (Williams), to meet her parents. It’s often a nerve wracking experience, to meet the parents for the first time. Chris feels even more apprehensive when he realizes Rose has not told her mom and dad that he is black. She assures him that her parents are not racist and they will welcome him with open arms.
Rose appears to be correct. Dean (Whitford) and Missy (Keener) Armitage embrace Chris, figuratively and literally, claiming to be huggers, and also make it known that they admire and respect former President Obama. “I would have voted for him a third term!” Dean says with a laugh. Missy is a psychiatrist who specializes in hypnosis and Dean is a neurosurgeon. They live on a beautiful estate in a remote location.
However, as Dean shows Chris around the property, he begins to wonder if all is as it seems. A black couple, Walter (Henderson) and Georgina (Gabriel), works for the Armitages, as a grounds keeper and cook, respectively. Although they seem friendly enough, always smiling, Chris notices there is something “off” about the pair. His attempts to have conversations with them are unsettling.
And Rose’s younger brother Jeremy (Jones) walks a fine line between being welcoming and making disparaging remarks, couched in obnoxious humor. Worst of all, there is a huge party scheduled for the next day, and friends of the family will show up. Chris, who is an excellent photographer, had hoped to spend a quiet day capturing nature photos.
Later that night, after a strange encounter outside with Walter, Chris feels forced into a hypnotic session with Missy, who wants to help him quit smoking. He finds the experience disturbing, and although he now dislikes cigarettes, he has strange dreams about being in a sunken place, paralyzed by fear.
The next day, the Armitages’ wealthy friends arrive. They fawn over Chris, trying to relate with comments about Tiger Woods, or by saying that black is in, but they also make inappropriate remarks as well. Chris grows increasingly uncomfortable, although he remains polite and somewhat detached. He meets a blind art gallery owner (Root) who envies Chris’ photographic eye, and another black man, who is about his age. This man, Logan (Stanfield), looks vaguely familiar, but he is awkward in his conversation and manner, just like Walter and Georgina. When Chris takes his picture, the flash causes Logan to snap. He screams at Chris, “Get out! Get out!”
Chris’ best friend Rob (Howery) becomes extremely concerned when he hears about the weekend over the phone. He begs his friend to leave. Chris sends him the photo he snapped of Logan, and Rob, who works as a TSA at the airport, uses his detection skills to uncover that Logan is really a jazz musician named André, and he was reported missing six months ago.
Convinced he needs to leave, Chris finds it may be impossible, after all, to get out. And, he at last discovers the horrifying truth behind all the odd behavior at the Armitage Estate.
As thrillers go, this one is well done, reminiscent of the 1975 film, Stepford Wives. I jumped more than once, and some of the scenes, coupled with the music and the timing, were genuinely creepy. Humor is interspersed throughout the movie, provided primarily by Chris’ friend Rob, breaking the tension when it needs to be broken. And Chris is a genuinely nice guy, devoted to his lady, so much so that he strives to rise above the remarks that get tossed his way.
The actors portraying the Armitages and their hired help do an excellent job of playing people who are more than they appear to be. There are frightening moments captured perfectly through their odd behavior or dead pan expressions.
I enjoyed the film. And yet, I confess that at first, I couldn’t understand why it was nominated for Best Picture. This genre normally isn’t. As I thought about the film, and discussed it with Greg, I realized its proper category is social satire. Satire is defined as “the use of humor, irony, exaggeration or ridicule to expose stupidity or vices, especially in the context of contemporary politics or other topical issues.”
As a satire, the perspective on this movie shifts dramatically. Get Out brilliantly exposes our current social situations in regards to race, by examining the wealthy liberal white and how some put out an appearance of not being racist, while yet attempting to exert control over minorities. This is a deep, and complex subject, that needs to be discussed more openly. Without revealing the ending of this shocking film, I can attest to the fact that it certainly caused me to think and feel and question.
It could be agued that racism goes in multiple directions, and that is true. However, Jordan Peele makes a heartfelt statement that needs to be heard, and in doing so creates in me a desire to listen…really listen. That’s the mark of a great movie, and an invitation for social change.
Satire comes from the Latin word satura, literally meaning poetic medley. Get Out is that, indeed…a poetic story that brings a variety of elements together to offer truth, if we will have the ears to hear.